Intellectual Property and the Future of the Music Industry Essay

Corruption, Conscience, and CopyrightThe Current present of Intellectual Property and the Future of the Music IndustryTodays pirates operate non on the high seas but on the Internet, in punishable CD factories, distribution centers, and on the street. The pirates credo is still the same-- wherefore pay for it when its so easy to steal? The credo is as wrong as it ever was. Stealing is still illegal, unethical, and solely too frequent in todays digital age. That is why RIAA Recording Industry Association of America continues to fight medicament piracy. RIAA.comThe human conscience is a powerful tool. And if you are like most Americans, you probably consider yourself to be a rather moral person, at least based upon your deliver morality, your own conscience. Chances are, however, that you have engaged in some form of illegal activity during your life speeding down a familiar road, jaywalking across an empty street, driving with a broken blinker. Assuming you consider yourse lf to be of high moral stature, how does your conscience reconcile this? The answer the unlawful does not always imply the unethical, and that which is illegal is not necessarily immoral.Since the digital gyration in the 1990s, the downloading of copyrighted music has skyrocketed. The Recording Industry Association of America, RIAA, has denounced music piracy, claiming that it is both illegal and immoral. And they drive a hard bargain, arguing the side by side(p)1. Downloading music is against the law.2. Downloading music betrays the songwriters and recording artists who create it.3. Downloading music stifles the careers of new artists and tireless bands.4. Downloading music threatens the livelihood of the thousands of working people who are em... ...ec_39_00000201----000-.htmlBlackburn, David. online buccaneering and Recorded Music Sales. Dec. 2004. http//www.katallaxi.se/grejer/blackburn/blackburn_fs.pdfCD Baby. Who/What are we? http//cdbaby.com/aboutHolahan, Catherin e. Downloading Musics New Deal. Business Week Online. Oct. 31, 2006. p8-8, 1p. Leach, Eric and Henslee, Bill. Follow the Money Whos Really qualification the Dough? Nov. 1, 2001. http//emusician.com/mag/emusic_follow_money_whos/index.htmlLessig, Lawrence. The Limits of Copyright. June 19, 2000. http//www.lessig.org/content/standard/0,1902,16071,00.htmlMcCourt, Tom, and Burkart, Patrick. When Creators, Corporations and Consumers Collide Napster and the Development of On-line Music Distribution. 2003. Sage Publications.Music United. Why You Shouldnt Do It. http//www.musicunited.org/4_shouldntdoit.html